The Non-Works
of
Samuel Tyldsley
Notes
Let loose
what is not thine:
thy life,
thy love,
thy time.
No tithe is due
to compense thy birth.
Thy will is but chaff;
summoned by wind
and taken to flight.
This page,
in both artistic appearance and literary content, is a companion to the
page which immediately follows it. Both pages consist of a watercolor
landscape in which diverse patches of different varieties of grass mingle
with sand, dirt and stone along a strand. On this page, the water
runs parallel to the writing and a tree (perhaps apple) is visible on a
hill on the right side of the page. This is, perhaps, significantly
close to the word "birth". Dandelions are also visible in the foreground.
These may echo the sentiment voiced in the poem since they bloom brightly
for a time, then their blossoms dry out and are blown away on the breeze.
Beige, human silhouettes, in miniature, interact with some of the letters
in the poem, relating to the theme of the phrase they are near. The
first silhouette is hanging by his arms from the "L" in "Let loose what
is not Thine:", while the next figure does a pirouette on the colon.
A figure relaxes on the "N" of "No tithe is due" and another reclines with
arms and legs spread over the word "birth". The remaining figure
is in mid-air after diving off the "g" in "flight".
The first
five lines are written in the red angular script, the protaganist voice.
This voice interjects that nothing is one's own and one is better to grow
accustomed to that fact. The black, gothic script takes the next
two lines, saying that nature is not obligated toward one merely because
of one's existence. The individual must fend for
himself. The red, angular script
has the remaining three lines. It states man's will is but the chaff
remaining after the necesseties of one's existence have been harvested
from life.
The music playing
is "Menuet I & Menuet II" from Handel's Music for the Royal Fireworks.
It can be found at Jonathan
Gustelle's Midi Page.
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