For visions
are but dreams
which we believe
and make our truths.
On mountains far
we set our gaze
and fantasize
a kinder fate.
This is a watercolor fantasy skyscape.
The sky is blue with scattered clouds. Two fairies are flying through
the page. A mountain is seen on one cloud, a blue castle on another
and another becomes a face. The poem is written in the black, gothic
script and appears on the lower half of
the page.
This poem equates revelation with fantasy.
Idealism is a placebo to aid one in coping with an indifferent universe.
As such, it is a consolation, not a cure, nor an excuse for mortality.
In this piece, we see the influence of Stephen Crane, whom Tyldsley greatly
admired. Did Tyldsley share Cranes nihilistic tendancies or was he
merely paying homage to them?
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The music playing
is "Saraband No.3" by Erik Satie. It was sequenced by David
Cooke and downloaded from David
Cooke's Corner of the Public Domain.
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